Credits
Tricia Pearsall
At art6 Oct. 7 through Oct. 30, 2005
Soul in Extreme Landscape: an exhibition of photographs from the mountain regions of Nepal, Pakistan, Kyrgyzstan, Xingjian Province of China, and India.
Tim DeVoe
At art6 April 7 through April 30, 2006
Reclaim: a series of sculptures and small installations that harvest material from the gallery's interior facade. His work examines the give and take between ourselves and the things we build, and it addresses the hidden inner temperaments and characteristics of these seemingly benign facades.
Second Biennial Members Show
At art6 Sept. 8 through Oct. 1, 2006
Featuring work by Susanne Arnold, David Bromley, Lindsay Brown, J.T. Brown, Hazel Buys, Wesley Childress, Ann Drewing, Alen Entin, Laura Heyard, Marian Hollowell, Mitzi Humphrey, Melanie Lamaga, Judy Little, Harvey McWilliams, Paul Muick, Henrietta Near, Julie Adler Noyes, Shann Palmer, Tricia Pearsall (left), Lelia Pendleton, Jude Schlotzhauer, Liz Sheehan, Susan Svendsen, Virginia Tyack, James Warner, and Jennifer Yane
Ji Wan Joo
At art6 Oct. 6 through Oct. 29, 2006
Finding the Way Out From the Labyrinth: ceramic sculpture
4 Artists
At art6 Jan. 5 through Jan. 28, 2007
Featuring work by Barbara Hardy Ray, Bob Ray, Jennifer Yane and Laura Heyward (left)
Rob Tarbell
At art6 Feb. 2 through Feb. 27, 2007
The "Smokes" Drawings: "they are as simple as they sound, but not as simply made. They are smoke on paper, like ink on paper or charcoal on paper. The difference is the smoke is caught on paper as it rises, not as it is applied to paper through contact with an instrument. The challenge is letting the smoke do what it wants to do naturally versus what I want it to do in making areas lighter or darker."
—from the artist's statement
Alan Entin
At art6 March 2 through April 1, 2007
Transformations: Imaginary Naturescapes
John Stuart Berger
At art6 April 6 through May 1, 2007
"A Spongy Manipulation of Natural History"
Marsden Williams
At art6 Jan. 4 through Jan. 28, 2008
Janine Turner
This work is a combination of traditional photography married to the digital tools of computing.